The tales of an unapologetic nerd
Main Street, USA. The first place you set foot in The Magic Kingdom. A street simply dripping with atmosphere and charm. The music is playing, and the mouth-watering smell of popcorn is piped through the air. Characters wait in welcome, and parades and trolley shows roll down the way every few hours.
Yet despite the tantalizing sweets at the confectionery, or the Photo Pass photographers waiting to immortalize your visit in film, the longest line on Main Street is usually at City Hall: the home of Guest Relations. And while many of those poor unfortunate souls waiting for assistance are in line for legitimate reasons, an alarming number are there for something else: to complain. Because they didn't get the exact same experience that somebody else did. They didn't get "The Right Kind of Magic."
And it's not just at Disney World that these complaints run rampant. Universal employees are just as regularly accused of "ruining vacations," and Sea World can't seem to catch a break no matter what they do. And while these complainers, bellyachers, squawkers ... while these people have always existed, it seems to have gotten exponentially worse over the last few years as the social media age has taken off. There is no doubt that technology has made it easier to vacation -- to plan, to execute, to enjoy. But with it has come an unfortunate truth: magic has been raised to an impossible standard.
It used to be simple. The Magic Kingdom was simply that: magical. The sheer joy of looking up at Cinderella’s castle and seeing your childhood come to life was enough. “Magical Moments,” as the company calls them, were scattered throughout the day as often as possible, but unannounced. Characters might decide to accompany you on your favorite attraction. You might be the one to finally pull the sword from the stone. Your child could be chosen to join a parade or a special photo opportunity. And even without these moments, your vacation would be unforgettable.
But then, articles started to circulate. BuzzFeed did several videos about “If you do
THIS, then the characters HAVE to do that.” And, usually, these articles were completely based on isolated incidents. One of the most notable examples is the famous “Andy’s Coming!” from 2013.
The story was, if you shouted “Andy’s Coming!” to the Toy Story characters, they would
immediately stop what they were doing and fall to the floor, perfectly still. It seems innocuous, but this rumor spread like wildfire and caused countless problems among all of the theme parks.
Now, several things are wrong with this situation as a whole. Allow me to illustrate, and I
apologize that it’s not presented in song. I know most of the important messages that Disney characters have ingrained in our minds and hearts are catchy. We’ll just have to make do with words, like boring adults.
The important take-away here is the effect these attitudes have on the park operations.
Once people start expecting special moments at every turn, we raise the bar. We try and
accommodate as much as possible. But then that becomes the norm, and so on. Soon, there’s nowhere else to go. Because once you make every moment magical, no moments really are.
As I mentioned, Disney is not the only victim. With the opening of Harry Potter World, Universal has felt the pressure as well. Amazing interactions like the wand ceremony at Ollivander’s and the Gringott’s Money Exchange have been tainted by entitlement. At the Gringott’s interaction, for instance, you can meet a goblin named Sir. He will have an entire conversation with you, if you’re interested. However, because of certain internet videos (again, I’m looking at you, BuzzFeed) people have come to treat him like a glorified version of Siri. They simply stand there and shout what they think are trigger words, and get angry if he doesn’t respond “the right way.”
It’s this idea of The Right Kind of Magic that is not only hurting our theme parks, but
hurting us. It’s made us less compassionate, and less understanding. Time and time again, I’ve seen parents say heinous things in the name of “special treatment.” Sometimes it’s as simple as calling to complain that one child with learning disabilities gets to walk around in the classroom while their own child has to stay put. But other times, times I have witnessed far too often, it’s much worse.
For instance: it’s no secret that children from the “Make a Wish” foundation are given priority access to characters and attractions at Disney World. But when they do, it seems to bring out the worst in the parents with healthy children.
“Well, I wish my child was dying.” That is a phrase I have heard said to my face. It is
just one of many horrible things parents have done in front of their own children, all in the name of right-ness. And I know they are being facetious. No one wants their child to be terminally ill. But, to the parents who are concerned with one family getting in line in front of you, I have one thing to say:
Because the horribly painful truth of the matter is this: your children don’t mind. I have
lost count of how many times, in my days as a cast member, I approached a child and explained the situation. “This family is going to meet Mickey right before you, and then he’ll be right back to see you, Princess!” And the child is perfectly fine. It’s the parents who lose their minds.
It’s the adults who stand in line at Guest Relations and complain, and demand refunds for
the rain, or because Goofy lingered 30 seconds longer at the table next to theirs, and now they feel slighted. It’s the adults who stand and shout at the Goblin for saying the wrong thing, and cause a scene in the middle of Diagon Alley. It’s the grown-ups who yell at cast members, telling them that their substandard parade viewing ruined their vacation. But the children? They still find joy and wonder in simply existing in the same space as a castle. And sure, they throw tantrums when things don’t go their way. They get hot, and tired, and cranky. They are just tiny humans, still learning how to function.
But we know better. And we need to remember the magic. The fact that such places still exist in the age of technology is something of a miracle. That real roller coasters haven’t all been replaced with virtual reality by now is amazing. When you step onto Main Street USA, you’re stepping into the heart of the longest running show on Earth. Books and movies and childhood dreams have sprung to life around you, and continue to change and grow every day. Universal’s Diagon Alley gave us real Butterbeer and interactive wands, to cast spells on your own! People could wait their whole lives to visit somewhere so special, and most of them never will.
Haircuts, cons, book releases ... now that the dust has settled, it's time to take a look back at one of the most painful, exhausting, rewarding, and life-changing years of this entire decade. 2018 was the definition of an emotional roller coaster, but I think it may have helped shape who I'm going to become. The seeds of the best version of myself may have been planted last year, and I hope to look back on even the heartbreak with gratitude and clarity one day. So, here we go. Everyone's safety equipment engaged? Got your snacks? Then let's dive in.
In 2017, I spent most of my year broken. I tore my ACL back in February, and was on crutches or post-surgical medical leave until September. The whole experience completely set back my career path and fitness journey, and even almost two years later I haven't entirely recovered.
In 2018, my physical health continued to deteriorate, to the point where I've had to take a step back from my puppetry jobs. I've had to shift my 32-hour contract with Universal Studios to a 24-hour one, and while the financial situation will be tight I'm grateful to still be employed. But the pain of day-to-day life, as I was diagnosed with Tendinitis in my wrists and hands, makes it clear that I won't be able to do the job for much longer. On top of that, this past Christmas was also the second-worst I've ever had. We spent it in the hospital with my dad, who almost died on the morning of December 23rd. He had an Aortic Dissection, and was subsequently diagnosed with Adult Onset Type 2 Diabetes. Since then, the family has dragged itself through the holidays with the barest cheer. We've all been examining our own health, as well as taking turns caring for his.
2018 ended with stress and drama. However, the year was also filled with milestones, and reminders that I can handle difficult things. Every one of them gives me hope for 2019, and promises that things do improve, eventually. The following are just some of the highlights that help me keep looking up.
2) Re-BRANDING MYSELF
3) The Mapweaver Chronicles
4) Con Life
5) D&D, Tabletop, and More!
At the end of the day, this part of the year is more about Cody than it is about me. He has risked everything to chase his passions, I'm just here to support him. But, for both of us, the challenge of teaching ourselves how to be small business owners has been taxing. The year has been exhausting, and full of new challenges neither of us expected. We have so many plans for the future of this company, and the fact that we SURVIVED this long is a miracle. The realization of dreams in 2018 really and truly began with this company. So, to Cody, I am forever grateful. He launched my year into chaos and wonder, and our lives will never be the same. At least, I hope they won't. Despite the health problems, the work stress in other areas of my life, the horrific family tragedies ... we both came out the other side with different priorities. New career paths. New friends. I wouldn't trade any of them for the world.
So, let's do this 2019. Saddle up, and get ready for even grander adventures and bigger dreams. It's showtime.
It's December 2nd, 2018. The dust has settled from this week's finale of NaNoWriMo, and I've avoided writing any thoughts on the experience until now. For starters, I didn't want to jinx myself. And, due to the nature of the whole event, I didn't want to WASTE PRECIOUS WORD COUNT MOMENTS ON THIS!
For those of you who don't know, NaNoWriMo stands for "National Novel Writing Month." It is an international phenomenon that takes place the whole month of November, where writers all over the world gather together online, and challenge themselves to write 50,000 words in only 30 days. There is no prize for finishing, or "winning," simply the satisfaction of knowing that you have accomplished something incredible. And, for most of us, that is enough.
I have attempted NaNoWriMo a dozen times in the past, and never actually finished. Once back in college I did enjoy a small victory by hitting my personal goals for the month, but I didn't actually hit that 50k marker. I have made no secret of the fact that I'm an incredibly slow writer, and over the years while constantly struggling to finish my own work, the daunting task of putting THAT much content out into the world became more and more terrifying. After all, I do not "draft" traditionally. I'll do an entire series at some point on how my personal writing style isn't conducive to "first drafts" and "rough drafts," but that's for another time. For now, suffice it to say that the whole concept of actually surviving NaNoWriMo and being proud of what I'd come out with at the end seemed impossible.
This year, finally, everything changed. With literally two minutes to go until the midnight deadline, on November 30th, I had officially added 50,000 words to my total word count for Inkspice, the second book in the Mapweaver Chronicles. And, more importantly (to me, in any case) it is READABLE. So, what changed between this year and all the many trials and failures of years before? I think I've figured out a small list of changes that helped me survive.
1) People were enjoying my work, and asking for more
A lifetime of being on stage has taught me one important thing about myself: I shamelessly thrive and flourish with praise. Yes, I am spurred on by people telling me I can't do things, but I'm also completely a real-life Tinkerbell -- I need applause to survive. Every time someone told me I was a good dancer as a kid, something inside me insisted that I keep getting better so I wouldn't let anyone down. Once, a director casually remarked that they were impressed by how quickly I memorized. And now, I'll be damned if I ever go on stage during a rehearsal with my book unless I absolutely have to.
Now, I'll be the first to admit that this has not always been the most emotionally healthy way to function. It's been a life-long battle trying to find my own self-worth without other people patting me on the head, but that's my struggle. And at least I'm finding ways to turn that compulsion for love and attention into something good, rather than wallowing in self pity whenever I feel like I'm not everyone's favorite (a constant state of being up until middle school). The upshot of it all is that positive reviews of Windswept made me want to give the people more. I want so badly to please every reader out there that I am more willing to push myself for them than I have ever been for myself.
2) My body is broken
If you're my friend on Facebook, you'll have seen that recently I was given some pretty devastating news by a doctor. He told me that it was time I start leaving puppetry behind, and look for another career. Puppets have been my life for so long now as a performer that I am genuinely heartbroken about this. It's the latest in a long list of health problems and injuries that are keeping me away from the stage and doing what I love. I have been extremely lucky in the past few years to not need a survival job. EVERY job I do, I do because I love it. And the idea of having to step down and sit in an office all day devastates me.
The terror of knowing that I may not be doing one thing I love for much longer suddenly made me realize how scared I am to lose THIS career as well. My life as a professional writer is just beginning, and if I disappear into the day-to-day of a cashier job or something that takes all of my time and saps all of my creativity, I will stall out. The next book might take more than ten years to produce, and that is unacceptable. My fear pushed me through every sleepless night in November, and I've never been more grateful that I am an anxious person. Sometimes, my anxiety monsters can be my very best allies.
3) I had a team
There's a wonderful phenomenon that has been born from social media's constant presence in our lives: if you don't have a support system, it is so easy now to find people on the internet who share your interests, and are willing to cheer on a total stranger. Fitness groups, fandoms, accountability partners ... all of these things remind us that we are not alone in our hopes, dreams, and goals. I did have an amazing support group in real life as well, with my team at Random Encounter Productions, my boyfriend, and all of my amazing friends who I do NOT deserve. But more than that, I was part of a group on Facebook filled with people I had never met, and all they did was check in on each other. It is ASTONISHING how far a simple "You can do it!" gif can go in helping you get through your day. Each time I looked at the page, I was encouraged. I watched other people going through everything I was, and felt at home. I wasn't writing alone. Other people were going along on this ridiculous adventure with me, and at the end, finished or not, we could look at each other and say, "We survived!"
4) I had already set an incredibly public deadline
This one VERY easily could have blown up in my face. As I've mentioned many times before (and will continue to mention again) I AM NOT FAST! I knew when I released Windswept that if I didn't pick a date for my next release and absolutely stick to it, I would lose all momentum. For an indie author, timelines are very important. So, every time someone bought my book and asked about the sequel, I would tell them with all confidence, "It'll be out by the end of the year!"
Dear Past Kaitlin,
WHY WOULD YOU DO THAT TO YOURSELF IT'S SO NOT COOL!! Now I'm stuck with this ridiculous and impossible deadline and I'm bullying myself into finishing word counts and making snap decisions and WHY?! We are in a fight, Past Me.
Sincerely, Current Kaitlin
Dear Current Kaitlin,
Sincerely, Past Kaitlin
The funny thing is, those deadlines did more for the creative part of my brain than I'd ever imagined they would have. There were nights when I was just speed-writing outlines and stream-of-consciousness notes to myself, just to get something on paper, and I would suddenly stumble over something I hadn't intended. Now, many of those moments have become integral plot points of my series. The breakneck pace that NaNoWriMo often demands can be really liberating. Sometimes, your creative brain knows what it needs. And sometimes, it just needs to take the wheel while you hang on for dear life. Apparently, Past Kaitlin knew that even when I didn't. I guess she's not so bad.
5) I started taking my own art seriously
This is the big one. Because NONE of the above list would have mattered if this one crucial thing hadn't changed. Praise, timelines, job changes ... nothing else compares to the joy of suddenly believing in your OWN art. There are moments in every creator's life when they experience exactly this. And it's happened to me before, which is why I recognized it now.
A few years ago, I had to make a choice between a role I really wanted that didn't pay, and continuing to support myself as a working performer. I had always thought that actors who refused to perform for free were just being divas, but that was the year I realized: I was talented enough to make those decisions for myself. It wasn't that we aren't WILLING to. It's that we get to decide what roles are worth "donating" our marketable and hard-won skills for. That role wasn't it for me, and I left the show. I have never regretted it, because that decision took me from feeling like "a girl who happens to get paid to act" and made me feel like an "actor." My career has vastly improved since that mindset shift, and my writing is going through the same changes now. I don't HAVE to write for free. I don't HAVE to donate my talent if I don't truly believe that I should. I deserve to feel like a professional, and I do. Finally.
I may never be a bestselling author, but the moment I decided that this was a career and not a hobby, I started acting like I could be. And for me, that meant cranking out the words, putting aside the time, and doing the hard work.
I've learned a lot about myself this month. I've learned that this is a job I actually take seriously, and I'm willing to sacrifice a lot for it. I've learned that I'm REALLY good at bullying and bribing myself into getting things done. And I've learned that I can make this writing pace WORK. 2019 is, I hope, going to be a year filled with magic, and writing, and fresh ideas, and brand new books. Because even if I hadn't won? I believed in myself enough to try. And that's the hardest step to take. After this month, nothing can slow me down.
No wait, that sounds like a challenge to the universe, and I REALLY can't afford to taunt it right now ... ok, let's try that again. *ahem*
After this month, I KNOW that I'll always pick myself back up again, no matter how busy I get. My dreams, and yours, are worth fighting for. So pick up your pen. Pick up your forgotten ideas and dust them off. Pick up whatever that hobby in the back of your mind is, the one you've always known you could do for a living, and remind yourself why it matters. Find your team, and set your challenge. You've got one month left in 2018 to figure out your passion. And then next year? We're all in. Let's do this.
It's time for another installment of "Dear Anxiety Brain, WHY ARE YOU LIKE THIS?!"
I went through a phase about two years ago where I was eating at Tropical Smoothie Cafe almost every morning for breakfast. It was delicious, affordable, and right on my way to work. I usually ordered the same thing, just with slightly different add-ins in my smoothie. Some days, you just need energizer MORE than you need protein or an immunity boost.
Our story opens on one such morning. An average morning, at the start of an average day. I went in, got my combo order (smoothie and a half sandwich) and asked for one of my usual smoothies, with one of my usual boosts. When I got back to my car and took a quick sip, I realized something was wrong. To this day I don't know if I accidentally ordered a bad combination, or if the server made it wrong, but I realized I had a choice: Go in and ask for another smoothie, or drive off and face my day with utter smoothie sadness and misery in my heart.
Here, the much more logical and sane part of my brain said, "Yes. Not a problem, we can do this. We don't even mind paying for a new one, we just want something delicious. It's inoffensive, completely manageable, and the brief discomfort will be over soon."
Aaaaaaand THEN MY ANXIETY TOOK THE WHEEL. I couldn't just go in and ask for a new smoothie, I was a REGULAR here! People KNEW me! They knew where I WORKED! I couldn't stomach the thought of being "that customer" who isn't satisfied and makes a fuss (even though, as Logic reminded me, I was completely willing to pay full price.)
So, INSTEAD, I did a completely normal thing. I marched back in with a smile on my face and said, "Hey! My friend Kayla saw that I checked in here on Facebook, and asked if I could grab HER a smoothie, too!" Harmless enough white lie, right?
Oh, you poor sweet child ... if only my anxiety were that simple ...
Instead of just acting like a N O R M A L H U M A N, I pretended to read an imaginary order off my phone while I told her what I -- ahem, Kayla, -- wanted. I faked like I was waiting for confirmation from this imaginary person on the other end of the phone. Man, say what you will about my anxiety, but it COMMITS to the bit! I even pretending to be getting a Venmo payment from her. From this person that didn't exist.
Finally, second smoothie in hand, I went back out to my car, free at last from the nightmare. I told my anxiety to sit down and shut up. Instead, my anxiety screamed at me, "YOU HAVE TO ACTUALLY CHECK IN ON FACEBOOK WHAT IF THEY CHECK THEIR PAGE AND SEE THAT YOU DIDN'T ACTUALLY CHECK IN THEY WILL KNOW YOU LIIIIIIIIEEEEEED!"
"But ... they don't know my last name, how would they --- "
"THEY WILL KNOW JUST DO IT OMG."
I did it. Two years later and I'm still bathed in awkward shame about it. And then, to top it all off, I made sure I WAITED until I was down the road before I PUT THE STRAW IN MY NEW SMOOTHIE. Because, obviously, the were watching me out the store window and would see if I took "Kayla's" smoothie for myself.
I am grateful, in a way, that I have this bizarre panic override that allows me, on occasion, to fake my way through things that give me anxiety. It's right there on my personality shelf next to the jars of "Mom Friend Override," which I have in SPADES. But friends, I'm gonna be honest: I hope, at the end of this life as we know it, I find out that Tropical Smoothie Cafe is actually a secret spy organization. I hope they've been watching our every move, and that my smoothie subterfuge was totally justified.
Recently, a question floated my way: What is the hardest part of being a self-published author? The manuscript or the marketing? For a moment, I was all set to say "MARKETING! Hands down!" Until I realized ... the answer, for me, is neither of them. The HARDEST part of being a brand new self-published author is treating it like a job.
My life has always been extremely hectic. I have had multiple jobs at once since I entered the work force at 16. If you read my first post, you'll remember that my work schedule is INSANE, and mostly self-inflicted. In the last little while, however, I have managed to being paring down my jobs to only the most necessary gigs. Things that get me health insurance, and help pay my rent. I wouldn't call them "survival jobs," as I enjoy doing them. The plan was always to be an actor and a writer, and the acting/performing side of my life is solid and fulfilling.
That being said, I'd always imagined I would get a contract with an established publisher, and be able to live off an advance while working on my next book. I could take only the acting jobs I really wanted, just to stay busy and keep one foot in the business, and the rest of my time could be spent writing. With the choice to self-publish instead, my lifestyle and day-to-day schedule has been thrown into chaos. Let's break it all down, shall we?
I work Full Time for Universal Studios Orlando. That's 32 hours a week spent performing in their theme parks. 40 if I pick up an extra day, but for the sake of argument let's call it 32.
I also run an entertainment company, which takes up at least six hours a day. On the nights we don't stream, it's slightly less, but on the nights we DO stream it is slightly more, so we're going to average that out to 42 hours a week. That still puts my current time spent "working" at 74 hours per week. Okay, still manageable. Not GREAT, but still a functional, if busy, schedule.
But wait ... I still have to write. If I ONLY spend 1 hour a day (which is less than ideal) writing, that gets me to 81 hours a week with the extra 7 hours of writing time. And that would put my next book release at ... I don't want to THINK about how far away. Suffice it to say, it's not the best writing schedule.
Then there's brand management. Even if I combine marketing and social media for the company AND my book, that is a giant time commitment in and of itself. Say I only dedicate one hour a day to the marketing side of things -- 88 hours total of my week are WORK. And I haven't even calculated in miscellaneous issues, like setting aside time to record my audio books, commuting, or the time spent auditioning (which is PART of my job as a performer.) So let's call that 2 hours per week, on average, bringing us up to a nice spicy 90 HOUR WORK WEEK.
And I am only GUARANTEED a paycheck from 32 OF THOSE HOURS.
In the midst of all of this, I've also got regular human functionality to contend with. I either have to schedule in time to meal prep, or get used to ordering in. My health problems make finding time to work out a medical necessity, oh, and did I mention the ever-present anxiety and depression? There are days when it is genuinely impossible for me to find the energy to give a damn about ANY of it. We've got writer's block in the mix, and physical/mental issues that cause me to oversleep. I'd LIKE to spend any time ever with my boyfriend, or support my friends in their shows and events and baby showers. Oh, and I very much enjoy dedicating time to personal hygiene.
For those of you with mental health and physical concerns of your own, you're probably sitting there wholeheartedly understanding this dilemma. For those of you that don't, trust me when I say: I WISH I DID NOT HAVE THEM. I wish my body and brain would just let me charge through life without stopping. But even then, this work schedule would be INSANE. And finding the motivation to power through it all, and believe in myself enough to justify the schedule, is a job of its own.
I am THRILLED that I have enough passion in my life to fill it with things that keep me going. But I would be lying if I said it was easy. I am constantly working to find better ways to structure my time, and better ways to market myself so that, one day, writing WILL be my full time job. But I know it never will be if I don't treat it like it already is. So, to answer your question, THAT is the hardest part of self-publishing. Hard work, with no promise of payout for your efforts. It is every entrepreneur's struggle, and I raise a well-earned glass to every one of you out there, fighting alongside me to bring your passions to life. Here's to the 90-Hour Work Week. May we all conquer and tame it.
The whole weekend was an absolute blast, and I am already gearing up for my next con (when and where still to be determined) however, there was something that was brought up time and time again while I was at ACC. People were constantly shocked that I was "just an indie author." So, let's CHAT, shall we?
About three years ago, I typed the final period on the final page of my first novel. The feeling was MAGNIFICENT ... followed by months of endless agony. Nobody wanted it. Here it was, this beautiful thing that I had poured my whole LIFE into for almost a decade and nobody wanted to buy it from me. I submitted to publishers who were accepting unsolicited manuscripts. I submitted to agencies. I submitted to contests, magazines, the works. I trudged through the next two years with a giant black cloud hanging over my creativity. I had been all fired up and ready to get right to work on Book II from the moment I finished Windswept. Literally, THE MOMENT! I celebrated the completion of my final chapter by typing "Chapter One" in a brand new document, not five minutes later! But when nobody wanted to take a chance on me, I started to lose hope in my own vision for the series. I knew I was a good writer -- I just wasn't good enough.
And that was the first lie I told myself. See, in the months that would precede my decision to self-publish, I re-read many of the rejection letters I was sent over the years. And nowhere, in any of them, was there even the merest suggestion that my writing was the problem. I, as an artist with self-esteem issues (and a human with basic instincts of self-preservation) had BUILT THAT INTO THE CONVERSATION! My brain said "Oh no, they've rejected us! They don't like our work! WHAT DID I DO WRONG?!" In my case? The answer was, more or less, nothing. Their concern was not with content, it was with length.
Wait ... so, you mean to tell me, that without EVER reading more than five pages and the final word count, these people decided that the story was too long for a debut novel, and rejected it?
Why yes, yes I am. I was told over and over again that my book was just too long for a starter novel. Or, just as often, too long for Young Adult. And that's when I realized -- these were not the publishers for me. Anyone who thinks it's okay to limit the length of a novel JUST based on arbitrary word count is NOT somebody who I would like to do business with. Now, if you'd read my book and said "yeah, that scene in the tavern could have been a bit shorter, it got kinda boring," I could understand! But there were no content notes. No suggestions of actual STORY-BASED CONCERNS! Just the idea that my book, for some reason, was "too long."
If you were a reading child, or if you are now a reading adult, who enjoys epic fantasy, then I think it's safe to say that length doesn't scare you. Most of us want something more. We get swept up in these tales, and we ache when they are over. We constantly long to disappear into the worlds of Middle Earth and Narnia and Hogwarts, and our hearts break when the final words are finished. That is my audience, and that is who I write for every day. Could I have edited my manuscript, made the adjustments they suggested, and gotten an official book deal? Most likely. Am I glad I didn't? Absolutely.
The story of "that month I decided to just go for it already" is going to be its own whole THING in a later post, so please allow me to skip all the mess in the middle for now, and jump to THE CON! Three days of sitting in a booth, chatting with strangers about my book, and having a very similar conversation each and every time. It usually went something like this:
Them: Hi wow what's this book about?
Me: It's about a boy named Fox, born in a land without magic, who discovers that he alone has an ancient and mysterious magical gift.
Them: Oh cool! This cover is great, it looks like a real book!
Ahem. While I am FLATTERED (because I poured a lot of money into a decent cover designer, and I worked my ass off to GET this book out on time) I also have to say something on behalf of all of us who choose to self-publish, for one reason or another: THEY ARE ALL REAL BOOKS. It doesn't matter if we published because we didn't want to edit, or because we disagreed with a publisher, or even because we suck. And yes, some self-published authors genuinely went that way because they couldn't write, and they couldn't take the critique and work their project into something marketable. BUT EVEN SO, more power to them. They made something unique, and they followed their own vision, just like I did. Now, I put the work into it. For most of my life, I have been training to be a writer. I got lucky enough to train with a bestselling author as my mentor, and I know many people are not given that opportunity, but I took it and WORKED. HARD. And, at the end of the day, that will show in my reviews. And my sales.
But they are all real books. And we are all REAL writers. We just took a different path, because for one reason or another, traditional publishing didn't pan out for us. And I'm here to tell you, it's not always because you're a bad writer. Or because you're stubborn and can't take notes. Sometimes, it's because you're not willing to compromise your dream. And that's OKAY. I'm going to be fighting to market myself, probably for the rest of my career, because I didn't make changes to pander for a book deal. But that's MY journey to take. And it doesn't make me a less-qualified creator.
To all the readers out there who think indie authors aren't "real" authors, you're right. We are so much MORE than that. We are writers, designers, formatting experts, one-man marketing departments, entrepreneurs, proofreaders ... and that's not including most of our full-time survival jobs. They have yet to create a proper term for all of the things that we are.
And to all of the writers out there, deciding if you should self-publish or hold out for a contract, ask yourself what I did: Why am I doing this? Always remember if you're in it for the money, or if you're in it to have your story told. Yes, listen to the publishers, listen to the agencies. But hear what they are ACTUALLY telling you, and think about what it means for your story. Are they asking you to improve your writing, or fit their mold? I support either choice, but no matter what you do, believe in yourself. No matter how it happens, you've made a real book.
I have a PARALYZING fear of dialing wrong numbers. I don’t know where it comes from, or why. Nobody ever cursed me out for accidentally calling them. I never summoned a demon by accidentally dialing “666.” Just something inside of me starts shrieking like a banshee when an unfamiliar voice answers the phone. And I just hang up. Automatically. No “hi, sorry, wrong number!” Just BANG! Phone down. Run out of the room.
My name is Kaitlin. I am an avid gamer, unapologetic bookworm, Dungeons and Dragons enthusiast, proud Gryffindor, multi-faceted performer, and a gigantic anxiety-laden mess.
In theory, anxiety may seem quirky and potentially adorable. But in reality, most of the time it’s just annoying. Sure, you could argue that EVERYONE lays awake at night, re-living past embarrassments and hoping to every deity that the people who witnessed your shame never remember it. That is, I’ve discovered, just a big part of being human. But there’s a fine line between “laying awake re-living past awkward horrors” and “Laying awake thinking How much would it cost to make a national television commercial in which I justify and explain myself to everyone I’ve ever been awkward to?”
And if you’re one of those people saying “well get over it sweetheart! That’s life!” then this blog is most assuredly not for you. There are plenty of us out there who can’t just GET over it, as much as we would like to. To those fellow panic-ridden weirdos like me, WELCOME. This blog IS for you. And that’s why I do this. It is entirely against my nature to put my own unscripted thoughts and feelings out into the world outside of some sort of stage or performance venue, and I CERTAINLY don't write normal blog posts anymore. My freelance work and my novel have taken over my life in quite a big way, and I have a hard time believing that people will want to read something of mine that isn't an article, or a fantastical tale. But if this reaches even one person who gets panic attacks when they have to send food back, can’t make phone calls, or makes up elaborate excuses instead of just saying “whoops, my bad!”, then I’ve done my job. And know that you are NOT alone. One day, I hope to turn these ramblings into some sort of podcast or webseries perhaps. In the meantime, however, I am happy to have you along for the ride.
So, before we really get started, let me tell you a little about myself! I grew up in North Carolina, child number three of four. I went to a tiny liberal arts college in Shenendoah Valley, up in Virginia. Then, almost seven years ago, I moved down to Orlando as part of the Disney College Program. And I never left. Since then, I have worked or currently work in almost all of the major theme parks in the area. I have lived gig-to-gig for the longest time, and I like staying busy! This year, I will be receiving 13 separate W2s or 1099s, just to give you an idea of just HOW busy I like to keep my life. I am an actor, puppeteer, voice actor, writer, and collector of hobbies.
And I’ve always been this way. I have been high energy and high strung since birth. I was diagnosed as borderline ADD but never technically on the spectrum in school, although several teachers tried to get me on Ridlin just so they didn’t have to deal with me. My mom never agreed to this, and instead I found other ways to channel my energy and learn to focus, for which I am extremely grateful. For me, even as child, panic attacks and anxiety attacks were pretty routine. We just didn’t know what they were. They blended so well with my normal frenetic personality and self-made high-stress life that we all just assumed they were part of the Kaitlin package.
And then, when I was 16, the summer before my senior year of high school, I was rushed to the emergency room. Unable to breathe, unable to swallow, with agonizing chest pains. After they quickly ruled out heart attack, I was diagnosed with Chronic Costochondritis. It is an inflamation of the cartilage in the sternum, and it has been compared to the pain of a heart attack, only without the lasting damage. For some people, Costochondritis is brought on by strain or trauma, or even an infection. For me, the doctors informed me, it is brought on by stress. And it will be for the rest of my life. It was my body’s way of trying to get me to slow down. I had pushed myself too hard that summer, never settling down, dangerously busy even for me. I was prescribed panic medications and painkillers.
In the years that followed, I would also be diagnosed with a hormone imbalance, and a chronic pain disorder. All three of these conditions feed off of each other, and they are all lifelong. But I ALSO discovered that slowing down doesn’t necessarily help. For 8 straight years, I had to go to the emergency room about once a year for one or all of my issues, even when I was trying to stay relaxed. Slowing down didn’t help. At least not for long. So now, I’m learning every day how to function with all of them, and still live the life that I love and work so hard for.
And here I am, to shed some light on living with the realities of high-functioning anxiety and chronic pain. I'll be sharing some stories, and hoping that some of you can relate and find comfort in the fact that you are not alone.
I can’t promise you deep meaningful realizations about life. I can’t even promise you’ll be entertained. My dad thinks I’m funny, but he made me so I’m pretty sure he’s obligated. What I CAN promise you is that I won't hold anything back. I am an open book. And if you're not reading my ACTUAL book, this has the potential to be a solidly unique alternative. And, hopefully, this blog will include a few stories that will make you say “THANK GOD I’M NOT THE ONLY ONE WHO DOES THAT!”
I will also, of course, be sprinkling in a hearty helping of my life. Thoughts on nerd culture, and writing advice. Updates on my journey through self-publishing and making it as a freelancer. General rants on public bathrooms. You know, normal blog stuff.
So, until next time, keep it real, nerds. Or, uh ... keep it nerdy? Keep it awkward? WHY ARE SIGN-OFF PHRASES SO CRIPPLINGLY HARD!
Kaitlin Bellamy is a freelance actor, indie author, and all-around nerd. Welcome to her world, adventurer. It's gonna get weird.