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Chaotic awkward

The tales of an unapologetic nerd

"But it looks like a real book"

9/17/2018

3 Comments

 
Earlier this month, I went to my first ever convention as a writer: Ancient City Con in St Augustine, Florida. It was a wild, spur-of-the-moment adventure where I was thrust into Author Alley alongside some FAR more experienced creators than myself. And because it was a smaller con, it was truly a perfect learning experience for a newbie author like myself. After all, Windswept had barely been out for two ​weeks, and on day ONE of the event, I was pulled up on stage to join the other writers in a panel discussion.
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"Baby's first CON BOOTH!"
The whole weekend was an absolute blast, and I am already gearing up for my next con (when and where still to be determined) however, there was something that was brought up time and time again while I was at ACC. People were constantly shocked that I was "just an indie author." So, let's CHAT, shall we?

​About three years ago, I typed the final period on the final page of my first novel. The feeling was MAGNIFICENT ... followed by months of endless agony. Nobody wanted it. Here it was, this beautiful thing that I had poured my whole LIFE into for almost a decade and nobody wanted to buy it from me. I submitted to publishers who were accepting unsolicited manuscripts. I submitted to agencies. I submitted to contests, magazines, the works. I trudged through the next two years with a giant black cloud hanging over my creativity. I had been all fired up and ready to get right to work on Book II from the moment I finished Windswept. Literally, THE MOMENT! I celebrated the completion of my final chapter by typing "Chapter One" in a brand new document, not five minutes later! But when nobody wanted to take a chance on me, I started to lose hope in my own vision for the series. I knew I was a good writer -- I just wasn't good enough.

And that was the first lie I told myself. See, in the months that would precede my decision to self-publish, I re-read many of the rejection letters I was sent over the years. And nowhere, in any of them, was there even the merest suggestion that my writing was the problem. I, as an artist with self-esteem issues (and a human with basic instincts of self-preservation) had BUILT THAT INTO THE CONVERSATION! My brain said "Oh no, they've rejected us! They don't like our work! WHAT DID I DO WRONG?!" In my case? The answer was, more or less, nothing. Their concern was not with content, it was with length.

Wait ... so, you mean to tell me, that without EVER reading more than five pages and the final word count, these people decided that the story was too long for a debut novel, and rejected it?

Why yes, yes I am. I was told over and over again that my book was just too long for a starter novel. Or, just as often, too long for Young Adult. And that's when I realized -- these were not the publishers for me. Anyone who thinks it's okay to limit the length of a novel JUST based on arbitrary word count is NOT somebody who I would like to do business with. Now, if you'd read my book and said "yeah, that scene in the tavern could have been a bit shorter, it got kinda boring," I could understand! But there were no content notes. No suggestions of actual STORY-BASED CONCERNS! Just the idea that my book, for some reason, was "too long."

If you were a reading child, or if you are now a reading adult, who enjoys epic fantasy, then I think it's safe to say that length doesn't scare you. Most of us want something more. We get swept up in these tales, and we ache when they are over. We constantly long to disappear into the worlds of Middle Earth and Narnia and Hogwarts, and our hearts break when the final words are finished. That is my audience, and that is who I write for every day. Could I have edited my manuscript, made the adjustments they suggested, and gotten an official book deal? Most likely. Am I glad I didn't? Absolutely.

The story of "that month I decided to just go for it already" is going to be its own whole THING in a later post, so please allow me to skip all the mess in the middle for now, and jump to THE CON! Three days of sitting in a booth, chatting with strangers about my book, and having a very similar conversation each and every time. It usually went something like this:

Them: Hi wow what's this book about?
Me: It's about a boy named Fox, born in a land without magic, who discovers that he alone has an ancient and mysterious magical gift.
Them: Oh cool! This cover is great, it looks like a real book!

Ahem. While I am FLATTERED (because I poured a lot of money into a decent cover designer, and I worked my ass off to GET this book out on time) I also have to say something on behalf of all of us who choose to self-publish, for one reason or another: THEY ARE ALL REAL BOOKS. It doesn't matter if we published because we didn't want to edit, or because we disagreed with a publisher, or even because we suck. And yes, some self-published authors genuinely went that way because they couldn't write, and they couldn't take the critique and work their project into something marketable. BUT EVEN SO, more power to them. They made something unique, and they followed their own vision, just like I did. Now, I put the work into it. For most of my life, I have been training to be a writer. I got lucky enough to train with a bestselling author as my mentor, and I know many people are not given that opportunity, but I took it and WORKED. HARD. And, at the end of the day, that will show in my reviews. And my sales. 

But they are all real books. And we are all REAL writers. We just took a different path, because for one reason or another, traditional publishing didn't pan out for us. And I'm here to tell you, it's not always because you're a bad writer. Or because you're stubborn and can't take notes. Sometimes, it's because you're not willing to compromise your dream. And that's OKAY. I'm going to be fighting to market myself, probably for the rest of my career, because I didn't make changes to pander for a book deal. But that's MY journey to take. And it doesn't make me a less-qualified creator. 

To all the readers out there who think indie authors aren't "real" authors, you're right. We are so much MORE than that. We are writers, designers, formatting experts, one-man marketing departments, entrepreneurs, proofreaders ... and that's not including most of our full-time survival jobs. They have yet to create a proper term for all of the things that we are.

And to all of the writers out there, deciding if you should self-publish or hold out for a contract, ask yourself what I did: Why am I doing this? Always remember if you're in it for the money, or if you're in it to have your story told. Yes, listen to the publishers, listen to the agencies. But hear what they are ACTUALLY telling you, and think about what it means for your story.  Are they asking you to improve your writing, or fit their mold? I support either choice, but no matter what you do, believe in yourself. No matter how it happens, you've made a real book.
3 Comments
Alex
9/18/2018 12:19:18 am

As someone pursuing traditional publishing, the wordcount thing is real and it's...well, I'd say it's not necessarily trying to fit your book into a mold but I mean it is. Publishers have statistics that they base those loose word counts on to give them an idea of whether or not they'll sell it. Of course, there are going to be hardcore readers that would read a 200,000 word book if you presented it to them, but they want to reach a broader audience than just hardcore readers. That said, YA fantasy is usually allowed a longer wordcount from what I understand, pretty near 100,000, because epic fantasies tend to be long. And it's a fairly loose "wordcount" adherence, I don't think it has to be to the letter or anything. So I'm actually surprised Windswept was considered too long. I've actually heard of an agent who felt wary of a novel that was pitched to her as a high adventure fantasy story and it was really SHORT? (And the author apparently talked like it was the greatest thing since sliced bread, and it wasn't...as big as he thought.)

And all that is very shallow and constricting, but traditional publishers take on a big risk when they sign a debut author who doesn't have much of a following and just hope that people will want to buy their book by virtue of it being a good story. There's a lot of politics to it and it's messy, which is why I would never pursue it without first pursuing an agent to have someone in my corner. It's also why a lot of authors prefer self-publishing (as you found that you did). When you self-publish, you only have to convince yourself to take that risk on your work, and you're already pretty passionate about it. So when you want 100% creative control and freedom and you don't mind basically being a small business owner, self-pub is great. AND it's super valid, self-pubbed books are ABSOLUTELY "real books." I would need to rant if I heard someone say that.

For myself, I prefer tradpub because I know all the business aspects are really overwhelming to me and I like the idea of being able to collaborate with a team of professionals who know the business part way better than I do, because I don't want to mess with that. I just want to write. I'm also shallow and like the idea of seeing my books in a brick-and-mortar store, again, not that it makes it more valid but just because that would be a Moment for me. And while I have known self-pubbed authors who have gotten their books in stores, it's a lot more challenging (especially when MOST book sales anymore, tradpub or self-pub, are e-books).

Basically the publishing industry is a big mess and I'm a little scared about it (though happy that there are more protections for authors now than there used to be). But I'm glad you found the path that works for you and I know they meant well in this case, but if you ever need me to fight someone who makes a comment about Windswept "looking real," just shoot me a message.

Reply
Kaitlin Bellamy
9/18/2018 10:04:09 am

The business aspects CONTINUE to be entirely overwhelming to me as well. All of this was unexpected, as I'd always PLANNED on tradpub. And don't get me wrong ... if the right person had made me an offer? I probably would have taken it. I STILL long to get my book in a brick-and-mortar store, and I'm working on it. The fact that my vision had to change honestly broke my heart, and it was a tough decision for me. Will I publish traditionally if given the chance? Probably! But did this work better for me than I planned this first time around? Absolutely :)

Reply
Kimberly Patton link
4/19/2019 05:03:45 pm

I love your insight into self-publishing and the way you are standing up for yourself. It's really cool to see your confidence and go-get-em attitude! I respect that a lot, as I have had many doubts about my own self-publishing "worth". Thanks for sharing!

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    Kaitlin Bellamy is a freelance actor, indie author, and all-around nerd. Welcome to her world, adventurer. It's gonna get weird.

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